Written by Marc Henshall on November 26, 2014 under Studio
Recording vocals in a room with less than ideal acoustics can be tricky. But it is still possible to get great results in a lively space; you just might need to consider dropping the condenser mic from your arsenal.
Written by Marc Henshall on November 24, 2014 under Studio
Referencing your mix on studio quality headphones remains essential to creating a polished professional track. To help you make a more informed decision about which set of headphones is best for you, we have prepared a list of elements to consider.
Written by Davida Rochman on November 21, 2014 under House of WorshipPersonal Monitoring Systems
Churches everywhere are looking for ways to lower the volume while improving the audio quality of their worship services. Here are tips for achieving a Quiet Stage through the use of in-ear monitoring and other technologies.
Written by Davida Rochman on November 14, 2014
Les Banks of the legendary Ryman Auditorium and Cliff Miller, who has handled audio for nearly every major bluegrass act, explain which mics and techniques deliver that pure acoustic sound from the stage to the audience.
Written by Cory Lorentz on November 12, 2014
Good mic techniques are intuitive enough that even small children can execute them with no prompting. Somewhere along the path to adulthood, however, that intuition fades. This post series will help you get that intuition back.
Written by Marc Henshall on November 11, 2014 under Listening
Earphones and headphones often come with some fairly intimidating spec sheets. This can make choosing the right model for you a little daunting. Thankfully, we’ve put together a list of the most commonly seen specs to help you make an informed decision.
Written by Brooke Giddens on November 6, 2014 under Listening
Shure Associates share what they like about hearing certain genres of music in certain places with certain technologies. Tell us about your listening habits!
Written by Ryan Smith on November 3, 2014 under Live
Shure sat down with monitor engineer Jason Spence to discuss some of the details involved in mixing monitors at an awards show.
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