Is it really a cardioid world? While the cardioid polar pattern is undoubtedly the most often used in live sound applications (after all, the ubiquitous Shure SM57 and SM58® microphones are both cardioid types), there’s a case to be made for models that, with the flip of a switch (or the changing of a head) […]
Placement Techniques for the Beta 181 Side-Address Condenser Microphone By: John Born, Rob Klegon and Chad Wiggins Beta microphones, first introduced in 1989, have earned a reputation among touring pros and recording engineers for rugged reliability and construction (a Shure signature), precise sound reproduction, low handling noise and high gain before feedback. Everyone knows that. […]
We’ve educated our blog readers on the importance of Operating Principles and Frequency Response as part of our “Understanding Microphone Specifications” video series and now, in Part III, we review Polar Pattern. A microphone’s Polar Pattern defines how it responds to sounds coming from different directions. Understanding this specification will help you maximize pick up of […]
Bill Gibson has spent the last 30 years writing, recording, producing and teaching music. He is well known for his production, performance and teaching. Bill is Developmental Editor for Hal Leonard Performing Arts Publishing Group, President of Northwest Recording, serves on the National Advisory Board for the P&E Wing of the Recording Academy, is an […]
Four globe-trotting sound engineers share their tips, tricks and techniques.
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