Written by Cheryl Jennison DaProza on June 10, 2015 under Events
In this hour-long webinar, we will look at tips, tools, and techniques for maximizing gain-before-feedback, and bust some myths about less helpful approaches.
Written by Allison Wolcott on January 28, 2014 under Events
“Is this thing on?” says, oh, EVERYONE when they step up to a microphone in the movies or on TV. And what does the mic always say back? “ZZZZZZ!” Feedback is the universal, audible indicator for “live...
Written by Allison Wolcott on October 17, 2013 under Education
A new addition to the SCM820 control software, the DFR (Digital Feedback Reduction) function adds two channels of adaptive EQ filtering to find and remove feedback frequencies, which noticeably improves gain before feedback in...
Written by Davida Rochman on January 25, 2013 under Education
By Shure Notes Editors. Contributors: John Chevalier, Bill Gibson, Frank Gilbert, June Millington, Dan Murphy “John had a semi-acoustic Gibson guitar. It had a pickup on it so it could be amplified. We were just about to walk...
Written by Davida Rochman on August 4, 2011 under Education
The following article is an excerpt from Shure Notes for House of Worship, Issue #46 (August 4, 2011). One of the most commonly asked questions in professional audio is “What microphone can I use that doesn’t cause...
Written by Davida Rochman on April 29, 2010 under Education
One of the basic building blocks of sound system design is the Potential Acoustic Gain (PAG) equation. With a few simple calculations it can provide a guide to dealing with the problems and restrictions encountered with feedback...
Written by Michael Pettersen on October 20, 2016 under Education
How did the SM58 achieve its signature sound? Shure Historian Michael Pettersen breaks it down in three easy (depending on your technical expertise) pieces.
Written by Allison Wolcott on August 24, 2016 under News
In 2014, we added another quality control function to our product testing arsenal. In this interview, team members explain how their tests differ from traditional quality tests, and why everyone loves the SweatBot.
Written by James Wasem on May 19, 2016 under Education
In this excerpt from his book for church sound volunteers, sound engineer and systems integrator James Wasem explains the basic rules for miking a choir.
Written by Davida Rochman on March 30, 2016 under Education
Lead Industrial Designer John Miller explains how iconic Shure microphones of the 20th century inspired the design of two portable MOTIV™ digital condenser microphones.
Written by Ryan Smith on March 16, 2016 under ArtistsEducation
Maroon 5 Monitor Engineer Kevin Glendinning and Front-of-House Engineer Jim Ebdon share some tips and tricks they employ to combat crowd noise on a nightly basis.
Written by Cheryl Jennison DaProza on February 5, 2016 under Events
In this 60-minute webinar, Shure Product Manager John Born traces the history of the unidirectional dynamic microphone and gives us a glimpse into exciting new Dualdyne technology.
Written by SueAnn Shiah on October 14, 2015 under Education
Producer SueAnn Shiah explains her journey as a music business major catapulted into the world of DSLR filmmaking, and how the Shure VP83F LensHopper played a part.
Written by Brooke Giddens on October 7, 2015 under Artists
Christine Carson of Joyful Noise Recordings explains what she does on the day to day and how she got her start in the artist management business.
Written by Allison Wolcott on June 1, 2015 under Education
This post explains what to look for in mics for different applications so you can outfit your band appropriately. Product suggestions from value-priced to feature-rich are included.
Written by Davida Rochman on April 3, 2015 under Education
Specialty microphones aren't just for national tours and elite studios with big budgets. If you're shopping on a budget, this post will give you confidence in selecting specialty mics, including gooseneck and side-address models.
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