Search Results for: harmonica
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The record that you can start on Track 1 and listen all the way through. The album that is flawless from front to back. The complete record is what every artist strives.
Shure’s Performance Listening Center (PLC) managed by Dean Giavaras is used internally for a myriad of reasons. Operated by the Product Development Division, Shure associates use it daily to test and evaluate microphones,...
Late last year at the House of Blues in Chicago, Shure took over the venue by having three of its endorsers hit the stage for a sold-out evening. On the bill was Atlas Genius, Family Of The Year and Dale Earnhardt Jr. Jr. We came...
We bring you, “What Is That Mic Application?” In this installment of unique encounters from the road, we stumbled upon a homemade, handheld device involving some toggle switches, heavy duty cabling and an SM58 gently...
Contributors: Dennis Gruenling, Michael Pettersen Since the 1950s, blues harmonica players have amplified their instruments with bullet-shaped microphones and tube amplifiers. But how it all started remains a mystery. According to...
Ever since the beginning of college, I knew I was going to have an internship. Not only is it required by my university, but also I knew what a great starting point an internship could be when job searching post-graduation. I had...
To the Shure-Mobile! Today I was off to catch the tremendously talented Adam Young aka Owl City at Chicago’s Aragon Ballroom. I also had a special guest helper along for the ride… my niece Lizzi Stack was pretty...
Getting the sound you're after can have a lot to do with the microphones you use and where you place them. This post offers some practical starting points - instrument by instrument.
Corky Siegel’s Chamber Blues Records at Shure
Dale Earnhardt Jr Jr | The Speed Of Things | A Studio Mic Journal
From The Weird World Of Artist Relations…
How the “Green Bullet” Became the Definitive Blues Harp Mic
My Summer with Shure: The Genesis
Owl City::Aragon Ballroom
Making an Independent Recording, Part 2
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