Written by Davida Rochman on January 7, 2013 under Education
Shure Notes Editors/Contributor: Soren Pedersen Back in 2005, Shure introduced the KSM9 vocal condenser microphone. What made this microphone unique was its flip-of-a-switch ability to change from cardioid to supercardioid....
Written by James Wasem on May 19, 2016 under Education
In this excerpt from his book for church sound volunteers, sound engineer and systems integrator James Wasem explains the basic rules for miking a choir.
Written by Matthew Koschak on May 17, 2016 under Education
Engineer Matthew Koschak explains shotgun microphones: how they work, common misperceptions, and how to choose the right one for your application.
Written by Allison Wolcott on February 12, 2016 under Education
Five Shure Associate musicians share their most beloved mic(s) for their application. Check out their recs for vocals, acoustic guitar, guitar amp, bass amp, and drums.
Written by Davida Rochman on April 3, 2015 under Education
Specialty microphones aren't just for national tours and elite studios with big budgets. If you're shopping on a budget, this post will give you confidence in selecting specialty mics, including gooseneck and side-address models.
Written by Davida Rochman on September 24, 2014 under Education
In live sound, proper microphone placement has three desirable results: it offers optimal signal to noise ratio and gain before feedback and it captures the instrument’s “sweet spot”.
Written by Davida Rochman on August 11, 2014 under Education
Is it really a cardioid world? While the cardioid polar pattern is undoubtedly the most often used in live sound applications (after all, the ubiquitous Shure SM57 and SM58® microphones are both cardioid types), there’s a case...
Written by Davida Rochman on July 8, 2014 under Education
There are microphone myths just like there are urban myths. And their longevity rivals Bigfoot, Nessie and that mysterious Roswell incident in 1947. Right here, right now, we’re setting the record straight on mic folklore that...
Written by Davida Rochman on April 7, 2014 under Education
Shure Contributors: Thomas Banks, Chris Lyons, Gino Sigismondi Consider this: On YouTube alone, over 60 hours of video are uploaded every minute of every day. More video is uploaded to YouTube in one month than the three major...
Written by Davida Rochman on February 26, 2014 under Education
When most of us think of chapels in Las Vegas, the images that come to mind are of the drive-through wedding variety with an Elvis impersonator officiating. But here’s the real secret that Sin City isn’t even trying to...
Written by Allison Wolcott on January 2, 2014 under News
The Technical Excellence & Creativity Awards®, or TEC Awards, honor innovations in audio for recordings, live performances, film, TV, and beyond. Winners will be announced at The NAMM® Show in a few weeks, and we’re...
Written by Davida Rochman on April 19, 2013 under Education
Sometimes people ask us, “Why do you guys make so many different types of microphones?” The answer is: there are many different applications that require different form factors – handheld, headset or stand-mounted and...
Written by Davida Rochman on February 4, 2013 under Education
Contributor: Bobby Owsinski While you often see microphone techniques discussed for specific applications, another approach is to learn some general principles that you can apply to any situation. Before we can get into that...
Written by Allison Wolcott on October 29, 2012 under News
At AES in San Francisco, we unveiled the KSM9’s younger sibling, the KSM9HS, which features switchable hypercardioid and subcardioid polar patterns. There’s a wired version, plus wireless versions available with the...
Written by Davida Rochman on January 25, 2012 under Education
Bill Gibson has spent the last 30 years writing, recording, producing and teaching music. He is well known for his production, performance and teaching. Bill is Developmental Editor for Hal Leonard Performing Arts Publishing...
Written by Davida Rochman on October 15, 2005 under Education
Getting the sound you're after can have a lot to do with the microphones you use and where you place them. This post offers some practical starting points - instrument by instrument.
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