Written by Ryan Smith on October 18, 2013 under LiveMicrophonesNews
Don’t you just LOVE the sound of that headline? I love it when I hear it from an engineer or artist. In this case, it was most recently from someone who is both! Cliff Goldmacher is and has been a great client of Shure for over 10 years now. When I first met Cliff in Nashville, […]
Written by Davida Rochman on July 25, 2013
“I was walking down 79th Street in Chicago and heard a song that turned out to be Misty by Groove Holmes played on a Hammond B3. I’d never heard an organ sound like that before. I only knew one blues riff that I could play on the piano, but when I played it on a […]
Written by Davida Rochman on June 26, 2013
[Pointing to a Marshall amp] “This is a top that we use on stage … the numbers all go to 11 – right across the board. Most blokes are playing at 10 … but, where can you go from there? If we need that extra push over the cliff, we put it up to 11. […]
Written by Ryan Smith on February 14, 2013 under News
I have been to the NAMM show in Anaheim about 17 times now. Part of me gets nervous because it is such a busy show. A bigger part of me is excited to see and talk with a lot of the artists we work with. I also look forward to meeting many new artists. This […]
Written by Davida Rochman on May 11, 2009
Of Mics and Men There’s the conventional. Now what about the advanced? We talked to three drummers whose approaches to drum miking are as different as their musical odysseys. First, Rascal Flatts’ Jim Riley. Next, ex-Pat Metheny Group sideman and groundbreaking percussionist Paul Wertico. And finally, British touring band favorite Simon Phillips, currently living in […]
Written by Davida Rochman on February 2, 2009 under Live
In the House and on the Road with Paris Lahr He’s the man behind the console at venues ranging from intimate clubs to sports arenas, with an impressive resume that includes pro sound responsibilities for popular venues, major sound companies and globally touring artists. It only made sense that we’d want to tap Paris Lahr […]
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