Written by Davida Rochman on February 26, 2014 under House of Worship
When most of us think of chapels in Las Vegas, the images that come to mind are of the drive-through wedding variety with an Elvis impersonator officiating. But here’s the real secret that Sin City isn’t even trying to keep on the down low: it’s full of churches, and according to msncbc contributor Chris Rodell […]
Written by Davida Rochman on January 7, 2013
Shure Notes Editors/Contributor: Soren Pedersen Back in 2005, Shure introduced the KSM9 vocal condenser microphone. What made this microphone unique was its flip-of-a-switch ability to change from cardioid to supercardioid. Originally, a component in Shure’s premium UR24S/KSM9 wireless system, the mic found an enthusiastic audience that warranted its standalone status. Live sound guys loved it. […]
Written by Allison Wolcott on October 29, 2012 under News
At AES in San Francisco, we unveiled the KSM9’s younger sibling, the KSM9HS, which features switchable hypercardioid and subcardioid polar patterns. There’s a wired version, plus wireless versions available with the UR2 and ULXD2 transmitters. What’s so great about hypercardioid and subcardioid polar patterns, you ask? The hypercardioid works well on loud stages, isolating the […]
Written by Davida Rochman on September 19, 2017 under News
With lots of performances across four summer nights, Nashville’s CMA Festival presented wireless frequency coordination challenges that Jason Glass met head on with Axient® Digital.
Written by Brooke Giddens on March 17, 2017 under SXSW
Shot By Shure showcases some of the artists we’re most excited about. Meet FRENSHIP. Two guys from LA that put out one of the most viral hits for 2016 “Capsize.” Now, hear about the song that changed their lives.
Written by Allison Wolcott on February 23, 2017 under Microphones
Shure Notes email newsletter subscribers submit their burning audio questions every month, and we pick one to publish in the email and here. This month, we focus on the benefits of microphones with switchable polar patterns, the KSM9 in particular.
Written by Ryan Smith on February 21, 2017 under BroadcastNews
Ryan Smith, Shure’s man in Music City, takes us behind the scenes of CMT’s show Nashville with audio prop master Danny Rowe to find out what it takes to keep it real – both on and off the set.
Written by Marc Henshall on August 24, 2016 under Live
Well known for her earlier work with the Noisettes, Bryony October’s story is one of classic hard work and determination to make it in an industry where it’s notoriously difficult to get your first break. We caught up with her between tours.
Written by Allison Wolcott on February 12, 2016
Five Shure Associate musicians share their most beloved mic(s) for their application. Check out their recs for vocals, acoustic guitar, guitar amp, bass amp, and drums.
Written by Allison Wolcott on June 1, 2015
This post explains what to look for in mics for different applications so you can outfit your band appropriately. Product suggestions from value-priced to feature-rich are included.
Written by Marc Henshall on May 20, 2015 under LiveMicrophonesStudio
Mic directionality can be classified in three distinct types: omnidirectional, unidirectional, and bi-directional. Within these categories, there are a number of different directional patterns known as polar-patterns; the most commonly known types are cardioid and supercardioid. For a large number of common applications, these will get you pretty far – but what if your requirements are a little more specific?
Written by Marc Henshall on May 18, 2015 under LiveWireless Systems
We’ve all been there; you turn up for the show, you set up, you’re ready for sound check, and then it hits you – that sinking feeling after the wireless system cuts out. But there are some simple steps to troubleshoot wireless dropouts.
Written by Davida Rochman on November 14, 2014
Les Banks of the legendary Ryman Auditorium and Cliff Miller, who has handled audio for nearly every major bluegrass act, explain which mics and techniques deliver that pure acoustic sound from the stage to the audience.
Written by Davida Rochman on September 24, 2014
In live sound, proper microphone placement has three desirable results: it offers optimal signal to noise ratio and gain before feedback and it captures the instrument’s “sweet spot”.
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