Portability requirements, technology comfort level, and likelihood of tripping over cables are some of the contributing factors that should influence whether or not you go wireless as a musician running your own sound.
Troy Jensen, a member of the Shure Market Development Team, offers solutions to two common problems for AV designers and integrators when specifying and selecting wireless systems, plus links to helpful online tools.
This informative, one-hour webinar will share practical tips and microphone techniques employed by professional theater sound designers to ensure consistent, high-quality sound for theatrical productions.
Shopping for a new microphone? Then, you’ll want to understand its frequency response. This article will explain the basics: how it’s measured, how to interpret a frequency response chart, and how to match the frequency response of the mic to the sound source.
Is it really a cardioid world? While the cardioid polar pattern is undoubtedly the most often used in live sound applications (after all, the ubiquitous Shure SM57 and SM58® microphones are both cardioid types), there’s a case to be made for models that, with the flip of a switch (or the changing of a head) […]
There are microphone myths just like there are urban myths. And their longevity rivals Bigfoot, Nessie and that mysterious Roswell incident in 1947. Right here, right now, we’re setting the record straight on mic folklore that we’ve continued to debunk over the years. Check each one of these off your list, and when the subject […]
In this post, we’re going to turn the spotlight on an essential instrument in the horn section: the saxophone. To help us do it, we’ve turned to a trio of pros: ADAM HILL from Memphis’s legendary Ardent Studios (where everyone from Big Star to the Staples Singers and Isaac Hayes has recorded), FOH Engineer FRANK […]
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