Written by Ryan Smith on February 21, 2017 under BroadcastNews
Ryan Smith, Shure’s man in Music City, takes us behind the scenes of CMT’s show Nashville with audio prop master Danny Rowe to find out what it takes to keep it real – both on and off the set.
Written by Davida Rochman on July 10, 2015 under Live
Key Chang, FOH engineer for bluegrass duo Dailey & Vincent, shares the “reel-life” challenges of shooting a live concert DVD with a cast of thousands.
Written by Allison Wolcott on June 1, 2015
This post explains what to look for in mics for different applications so you can outfit your band appropriately. Product suggestions from value-priced to feature-rich are included.
Written by Cory Lorentz on September 18, 2014 under Microphones
One of Jimmy Fallon’s biggest loves is the musical portion of the show, which is why he chose to bring along his friends from The Roots to continue as the house band on this new version of The Tonight Show.
Written by Davida Rochman on July 8, 2014
There are microphone myths just like there are urban myths. And their longevity rivals Bigfoot, Nessie and that mysterious Roswell incident in 1947. Right here, right now, we’re setting the record straight on mic folklore that we’ve continued to debunk over the years. Check each one of these off your list, and when the subject […]
Written by Davida Rochman on June 9, 2014 under House of Worship
Tips from Todd Hartmann at The Austin Stone This is a church that understands the concept of community. Launched just 12 years ago by Chris Tomlin and Matt Carter in the living room of Tomlin’s bass player’s house, The Austin Stone Community Church presently numbers four campuses across the greater Austin area and over 7,000 […]
Written by Davida Rochman on June 2, 2014
It wouldn’t be summer without music festivals. And music festivals wouldn’t be fixtures of summer without the groundwork laid almost sixty years ago at the Newport Jazz Festival. Real historians trace festival origins back to Greece in the sixth century B.C. when a line-up of dancers, singers and musicians competed against once another (more like […]
Written by Davida Rochman on May 15, 2014
In this post, we’re going to turn the spotlight on an essential instrument in the horn section: the saxophone. To help us do it, we’ve turned to a trio of pros: ADAM HILL from Memphis’s legendary Ardent Studios (where everyone from Big Star to the Staples Singers and Isaac Hayes has recorded), FOH Engineer FRANK […]
Written by Cory Lorentz on February 21, 2014 under LiveMicrophonesNews
Late last year at the House of Blues in Chicago, Shure took over the venue by having three of its endorsers hit the stage for a sold-out evening. On the bill was Atlas Genius, Family Of The Year and Dale Earnhardt Jr. Jr. We came into the venue a little earlier than the masses lining […]
Written by Davida Rochman on July 25, 2013
“I was walking down 79th Street in Chicago and heard a song that turned out to be Misty by Groove Holmes played on a Hammond B3. I’d never heard an organ sound like that before. I only knew one blues riff that I could play on the piano, but when I played it on a […]
Written by Davida Rochman on May 1, 2013
Editors’ Note: For many years, one of Shure’s corporate missions has been to further music education around the globe. But our commitment extends far beyond contests such as Fantastic Scholastic (now in its ninth year), where college teams compete for a valuable mic locker. It often starts with a much younger audience and here’s why: […]
Written by Davida Rochman on May 25, 2012
Courtesy of Michael Pettersen, Shure’s Director of Applications Engineering A microphone responds to the movement of air, and it does not care what caused the air to move. This means that a mic cannot distinguish between air movement originating from a talker, and air movement originating from local weather. Wind noise is a persistent problem […]
Written by Davida Rochman on May 11, 2009
Of Mics and Men There’s the conventional. Now what about the advanced? We talked to three drummers whose approaches to drum miking are as different as their musical odysseys. First, Rascal Flatts’ Jim Riley. Next, ex-Pat Metheny Group sideman and groundbreaking percussionist Paul Wertico. And finally, British touring band favorite Simon Phillips, currently living in […]
Written by Davida Rochman on February 15, 2008
Experts from the Shure Application Engineering team take aim on some widely held and mostly misunderstood pro audio beliefs.
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