Written by Davida Rochman on November 8, 2012 under
By Shure Notes Editors Contributors: Frank Gilbert, FOH Engineer at Chicago’s Mayne Stage, The Vic and Park West; Kent Morris, Peavey Electronics, Cornerstone Media; Stuart Rosenberg, Partner – SPACE and League of Creative Musicians Live performance venues deal with it all the time. In this post, we’ll break down the subject of acoustics for you […]
Written by Jessica Sirkin on August 29, 2017 under
AV professionals often face the challenge of creating high-quality corporate and campus audio solutions on a low budget. The new P300 can help them bridge the gap.
Written by Michael Pettersen on July 13, 2017 under News
What is it like in a room where all typical daily noises are absent? In this post, we’ll take you inside one of two Shure anechoic chambers used for product testing.
Written by Troy Jensen on June 15, 2017 under
Understanding how the base building design affects the quality of audio and video conferencing in rooms can help create conference systems that provide a great experience in a modern office space.
Written by Stuart Stephens on June 6, 2017 under
Feedback is an annoying and potentially damaging squealing or humming sound that can be extremely distracting during a meeting. Every audio system has a maximum amount of gain or volume that can be applied before feedback is introduced. Stuart Stephens explains why feedback occurs and how it can be eliminated.
Written by Michael Pettersen on October 20, 2016 under
How did the SM58 achieve its signature sound? Shure Historian Michael Pettersen breaks it down in three easy (depending on your technical expertise) pieces.
Written by Allison Wolcott on February 11, 2015 under
Personal monitor systems deliver a better experience than wedge monitors for performers, sound engineers, and audiences. This post explains the nitty gritty of it.
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